In Meadows Wait, Mist Diffuses, Gospodinov captures the enigmatic energies of Hosbësch. Shot over four years with motion sensor cameras and interlaced with Gospodinov’s own fragmented recollections of its topography, the film poeticises the protracted rupturing of a landscape. Moving between the voyeuristic and introspective, the film is at once a portrait of—and elegy to—Hosbësch.